Sor gave concerts throughout Europe, including in England, Paris, Berlin and Warsaw. Before the early 19th century, the guitar was little-known in England. Sor seems to have created a market for himself there and then met the demand. Sor's contemporaries considered him to be the best guitarist in the world, and his works for guitar have been widely played and reprinted since his death.
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As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor.
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Born in Barcelona to a fairly well-off family, Sor was descended from a long line of career soldiers, and intended to continue that legacy, but was distracted from this when his father introduced him to Italian opera. He fell in love with music and abandoned his military career goals. Along with opera, Sor's father also introduced him to the guitar, which, at the time, was little more than an instrument played in taverns, thought to be inferior to orchestral instruments.
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At a young age, Sor's parents were wary of giving his musical abilities too much special attention, because his father was afraid that it would distract from his Latin studies. Therefore, the very young Sor (less than 11 years old) began to write songs to words in Latin to impress his parents. He even invented his own system for notating music, as he had not yet received formal training.
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When he reached the age of 11 or 12, the leader of the Barcelona Cathedral took attention to him as a young talent. In a very unfortunate stroke of fate, however, not long after Sor was enrolled in the school his father died, leaving his mother without the funds to continue Sor's education at the Cathedral. However, at around the same time, the new abbot of Montserrat, Joseph Arredondo, heard of his talent as well, and provided funds for him to attend the "Escolanía" (Choir School) at the famous monastery in Montserrat. Sor reveals in writings, mainly from the last ten years of his life, that he was greatly attached to this place, and had fond, nostalgic memories of his childhood there. Unfortunately, his mother began to see that Sor was becoming greatly distracted from his "chosen" path in the military or administration, and following the advice of friends took him out of the monastery and placed him in military school for four years. It was not a terrible turn of events, as he had much free time to play and compose music in the army as well.
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In 1808, when Napoleon Bonaparte invaded Spain, Sor began to write nationalistic music for the guitar, often accompanied by patriotic lyrics. Sor was even part of traveling military bands that would play protest music on the streets. He was also promoted to captain in Córdoba and may have fought battles against the French at this time. After the defeat of the Spanish army, however, Sor accepted an administrative post in the occupying government. Here he was to be officially labeled an afrancesado along with the other Spaniards who abandoned their defense of Spain to embrace the French Revolutionary ideas. After the Spanish repelled the French in 1813, Sor and the other afrancesados left Spain for fear of retribution. He went to Paris, and never returned to his home country again.
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Having completely abandoned his family's ideal of a military or administrative post, Sor could finally give music a serious try in France. He gained renown at first as a virtuosic guitarist and composer for the instrument. When he attempted composing for operas, however, he was rejected by the French as a composer. His Op. 7 was a large and strange piece, strangely notated in three clefs, and no guitarist at the time could play it. Since France was no longer supportive of his music, Sor decided to try his talents elsewhere.
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As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor.
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Born in Barcelona to a fairly well-off family, Sor was descended from a long line of career soldiers, and intended to continue that legacy, but was distracted from this when his father introduced him to Italian opera. He fell in love with music and abandoned his military career goals. Along with opera, Sor's father also introduced him to the guitar, which, at the time, was little more than an instrument played in taverns, thought to be inferior to orchestral instruments.
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At a young age, Sor's parents were wary of giving his musical abilities too much special attention, because his father was afraid that it would distract from his Latin studies. Therefore, the very young Sor (less than 11 years old) began to write songs to words in Latin to impress his parents. He even invented his own system for notating music, as he had not yet received formal training.
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When he reached the age of 11 or 12, the leader of the Barcelona Cathedral took attention to him as a young talent. In a very unfortunate stroke of fate, however, not long after Sor was enrolled in the school his father died, leaving his mother without the funds to continue Sor's education at the Cathedral. However, at around the same time, the new abbot of Montserrat, Joseph Arredondo, heard of his talent as well, and provided funds for him to attend the "Escolanía" (Choir School) at the famous monastery in Montserrat. Sor reveals in writings, mainly from the last ten years of his life, that he was greatly attached to this place, and had fond, nostalgic memories of his childhood there. Unfortunately, his mother began to see that Sor was becoming greatly distracted from his "chosen" path in the military or administration, and following the advice of friends took him out of the monastery and placed him in military school for four years. It was not a terrible turn of events, as he had much free time to play and compose music in the army as well.
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In 1808, when Napoleon Bonaparte invaded Spain, Sor began to write nationalistic music for the guitar, often accompanied by patriotic lyrics. Sor was even part of traveling military bands that would play protest music on the streets. He was also promoted to captain in Córdoba and may have fought battles against the French at this time. After the defeat of the Spanish army, however, Sor accepted an administrative post in the occupying government. Here he was to be officially labeled an afrancesado along with the other Spaniards who abandoned their defense of Spain to embrace the French Revolutionary ideas. After the Spanish repelled the French in 1813, Sor and the other afrancesados left Spain for fear of retribution. He went to Paris, and never returned to his home country again.
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Having completely abandoned his family's ideal of a military or administrative post, Sor could finally give music a serious try in France. He gained renown at first as a virtuosic guitarist and composer for the instrument. When he attempted composing for operas, however, he was rejected by the French as a composer. His Op. 7 was a large and strange piece, strangely notated in three clefs, and no guitarist at the time could play it. Since France was no longer supportive of his music, Sor decided to try his talents elsewhere.
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